Skip to main content Skip to main navigation menu Skip to site footer
Page Header Logo
  • Current
  • Archives
  • Announcements
  • About
    • About the Journal
    • Submissions
    • Editorial Team
    • Contact
Search
  • Register
  • Login
  1. Home /
  2. Archives /
  3. Vol 3 No 2: Special Issue: Philosophy of Film Without Theory

"L'Argent" (Robert Bresson, 1983).

Published: 2020-07-25

From the Editor

  • Research as Scrutiny. Our most demanding issues are aesthetic issues.
    Rob van Gerwen
    i-v
    • editorial.pdf

Philosophy of film without theory

  • Cover Image
    Inaugurating Philosophy of Film Without Theory
    Craig Fox, Britt Harrison
    175-184
    • Fox & Harrison
  • Cover Image
    "Police Adjective" and Attunement to the Significance of Things
    Craig Fox
    185-199
    • Fox.pdf
  • Cover Image
    "The New World": Heideggerian or Humanist Cinema?
    Britt Harrison
    200-227
    • Harrison.pdf
  • Cover Image
    Mourning the Loss of the Ordinary. A Cavellian Reading of Ozu’s "Late Spring"
    Jônadas Techio
    228-259
    • Techio.pdf
  • With Friends Like These… or: How Not to Respond to the Imposition Objection
    Katheryn Doran
    260-268
    • Doran.pdf
  • Mother-Daughter Identity Constructs in "Lady Snowblood" and "Carrie"
    Kristin A. Hrehor
    269-283
    • Hrehor.pdf
  • Cover Image
    Emerson’s Vision of America in John Ford’s "Stagecoach"
    Michael Forest
    284-310
    • Forest.pdf
  • Cover Image
    Getting Away with Murder? "Crimes and Misdemeanors" and Alternative Conceptions of Justice
    Mikel Burley
    311-326
    • Burley.pdf
  • Cover Image
    When the silent universe speaks. Testing Camus’ notion of the absurd in the alien encounters of "Contact" and "Arrival"
    Shai Tubali
    327-346
    • Tubali.pdf
  • Cover Image
    The Flesh is Weak. Empathy and Becoming Human in Jonathan Glazer's "Under the Skin"
    Colin Heber-Percy
    347-364
    • Heber-Percy.pdf
  • Cover Image
    What They See is What We Get in Film: Reality Tells the Fiction
    Rob van Gerwen
    365-386
    • van Gerwen.pdf
  • Ordinary Language Film Studies
    Andrew Klevan
    387-406
    • Klevan.pdf
Information
  • For Readers
  • For Authors
  • For Librarians

Creative Commons License
This work is licensed under a Creative Commons Attribution 4.0 International License.

ISSN:2352-2704

About this Publishing System