Vol 3 No 2: Special Issue: Philosophy of Film Without Theory | Aesthetic Investigations

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"L'Argent" (Robert Bresson, 1983).

Published: 2020-07-25

From the Editor

Research as Scrutiny. Our most demanding issues are aesthetic issues.

Rob van Gerwen

i-v
- editorial.pdf

Philosophy of film without theory

Inaugurating Philosophy of Film Without Theory

Craig Fox, Britt Harrison

175-184
- Fox & Harrison
"Police Adjective" and Attunement to the Significance of Things

Craig Fox

185-199
- Fox.pdf
"The New World": Heideggerian or Humanist Cinema?

Britt Harrison

200-227
- Harrison.pdf
Mourning the Loss of the Ordinary. A Cavellian Reading of Ozu’s "Late Spring"

Jônadas Techio

228-259
- Techio.pdf
With Friends Like These… or: How Not to Respond to the Imposition Objection

Katheryn Doran

260-268
- Doran.pdf
Mother-Daughter Identity Constructs in "Lady Snowblood" and "Carrie"

Kristin A. Hrehor

269-283
- Hrehor.pdf
Emerson’s Vision of America in John Ford’s "Stagecoach"

Michael Forest

284-310
- Forest.pdf
Getting Away with Murder? "Crimes and Misdemeanors" and Alternative Conceptions of Justice

Mikel Burley

311-326
- Burley.pdf
When the silent universe speaks. Testing Camus’ notion of the absurd in the alien encounters of "Contact" and "Arrival"

Shai Tubali

327-346
- Tubali.pdf
The Flesh is Weak. Empathy and Becoming Human in Jonathan Glazer's "Under the Skin"

Colin Heber-Percy

347-364
- Heber-Percy.pdf
What They See is What We Get in Film: Reality Tells the Fiction

Rob van Gerwen

365-386
- van Gerwen.pdf
Ordinary Language Film Studies

Andrew Klevan

387-406
- Klevan.pdf