Art and Human Interaction
DOI:
https://doi.org/10.58519/aesthinv.v5i1.11770Keywords:
art, morality, psychological, phenomenological, rhetoricalAbstract
In this Editor’s column I discuss certain fruits and limits of applying the notion of ‘performance’ to works of art. Art works can be viewed as perfor- mances, the public furnishing of works’ final form. Concerts can be viewed as performances of a work scored by someone else, the composer, but not all arts are double in this sense. Moreover, art can be viewed as mirroring the psychological, phenomenological and rhetorical aspects of human interaction, which exemplify the way people scrutinise moral situations. Not all performances are artistic, let alone art.
Downloads
References
Fridlund, Alan J. 1997. “The new ethology of human facial expressions.” In The Psychology of Facial Expression, edited by James A. Russell and José-Miguel Fernandez-Dols, 103–32. Cambridge University Press.
Gerwen, Rob van. 2014. “Artists’ Experiments and Our Issues with Them – Toward a Layered Definition of Art Practice.” Edited by Fabian Dorsch and Dan-Eugen Ratiu, Proceedings of the European Society for Aesthetics, Volume 6. 158–180.
Levinson, Jerrold. 1990. “Defining Art Historically.” In Music, Art & Metaphysics, 3–25. Ithaca, N.Y.: Cornell University Press.
Wittgenstein, Ludwig. 1953. Philosophical Investigations. Translated by G.E.M. Anscombe. Oxford: Blackwell.
Wollheim, Richard. 1980. “Criticism as Retrieval.” In Art and its Objects. Second edition, 185–204. Cambridge: Cambridge University Press.
----. 1993. “Correspondence, Projective Properties, and Expression in the Arts.” In The Mind and its Depths, 144–158. Cambridge (Mass.), London (England): Harvard University Press.
----. 2001. “On Pictorial Representation.” In Richard Wollheim on the Art of Painting: Art as Representation and Expression, edited by Rob van Gerwen, 13–27. Cambridge: Cambridge University Press.
Downloads
Published
Issue
Section
License
This work is licensed under a Creative Commons Attribution 4.0 International License.
Authors who publish with this journal agree to the following terms:
Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal. Note: up to volume 4 issue 1, an incorrect copyright line appears in the PDFs of the articles.
Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).
How to Cite
