Bence Nanay, Aesthetics as Philosophy of Perception, Oxford, Oxford University Press, 2016

Sue Spaid

doi:10.58519/aesthinv.v4i1.11930

Bence Nanay, Aesthetics as Philosophy of Perception, Oxford, Oxford University Press, 2016

Authors

Sue Spaid Brussels

DOI:

https://doi.org/10.58519/aesthinv.v4i1.11930

Keywords:

twofoldness, attention, formalism

Abstract

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Author Biography

Sue Spaid, Brussels

Since 1984, Belgium-based philosopher Sue Spaid, Ph. D., has been active in the artworld as a curator, art writer, university lecturer, and museum director. Spaid, who writes regularly for HArt, was on the Contributors Board for artUS, where she published 65 articles between 1997 and 2010. She has organized over 100 exhibitions for artist-run spaces, galleries and museums, most notably “Green Acres: Artists Farming Fields, Greenhouses, and Abandoned Lots” (2012) and “Ecovention: Current Art to Transform Ecologies” (2002). While Executive Director at the Contemporary Museum, Spaid published A Field Guide to Patricia Johanson’s Works: Proposed, Built, Published and Collected.

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Published

2020-12-31

Issue

Vol. 4 No. 1 (2020): Special Issue: Empirical Aesthetics

Section

Reviews

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How to Cite

Spaid, Sue. 2020. “Bence Nanay, Aesthetics As Philosophy of Perception, Oxford, Oxford University Press, 2016”. Aesthetic Investigations 4 (1): 133-36. https://doi.org/10.58519/aesthinv.v4i1.11930.