The Cognitive Value of Blade Runner
Authors
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Rafe McGregor
University of Leeds
DOI:
https://doi.org/10.58519/aesthinv.v1i2.11998Keywords:
Artistic Value, Narrative Representation, Cognitive Value, Cinematic Philosophy, Blade RunnerAbstract
The purpose of this essay is to argue that Blade Runner: The Final Cut (Ridley Scott, 2007) has cognitive value which is inseparable from its value as a work of cinema. I introduce the cinematic philosophy debate in §1. §2 sets out my position: that the Final Cut affirms the proposition there is no necessary relation between humanity and human beings. I outline the combination of cinematic depiction with distinctive features of the narrative’s peripeteia in §3. In §4, I explain the cognitive value of the peripeteia.
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