Oana Șerban, After Thomas Kuhn: The Structure of Aesthetic Revolutions (2023)


  • Sue Spaid University of Dayton, Ohio




avant-gardes, aesthetic revolution, artistic revolution, revolutionary science, style, paradigm



Author Biography

  • Sue Spaid, University of Dayton, Ohio

    Since 1984, Belgium-based philosopher Sue Spaid, Ph. D., has been active in the artworld as a curator, art writer, university lecturer, and museum director. Spaid, who writes regularly for HArt, was on the Contributors Board for artUS, where she published 65 articles between 1997 and 2010. She has organized over 100 exhibitions for artist-run spaces, galleries and museums, most notably “Green Acres: Artists Farming Fields, Greenhouses, and Abandoned Lots” (2012) and “Ecovention: Current Art to Transform Ecologies” (2002). While Executive Director at the Contemporary Museum, Spaid published A Field Guide to Patricia Johanson’s Works: Proposed, Built, Published and Collected


Şerban, Oana. 2022. After Thomas Kuhn: The Structure of Aesthetic Revolutions. Berlin: De Gruyter.

Hafner, E. M. 1969. “The New Reality in Art and Science.” Comparative Studies in Society and History 11 (4): 385–397.

Kuhn, Thomas S. 1962. The Structure of Scientific Revolutions. Chicago, IL: University of Chicago Press.




How to Cite

“Oana Șerban, After Thomas Kuhn: The Structure of Aesthetic Revolutions (2023)”. 2023. Aesthetic Investigations 6 (1): 100-104. https://doi.org/10.58519/aesthinv.v6i1.15314.