Streaking in the Museum
Authors
-
Sue Spaid
University of Cincinnati
-
Clinton Peter Verdonschot
Utrecht University
DOI:
https://doi.org/10.58519/aesthinv.v6i2.18523Keywords:
streaking, Guerrilla Girls, feminist aesthetics, male gaze, disinterestedness, objectificationReferences
Berger, John, Sven Blomberg, Chris Fox, Michael Dibb, and Richard Hollis. 1972. Ways of seeing. London: British Broadcasting Corporation / Penguin.
Burke, Edmund. (1757) 1958. A Philosophical Enquiry Into the Origin of Our Ideas of the Sublime and Beautiful. Edited by James T. Boulton. London: Routledge / Paul.
Debaene, Aurélie. 2021. “The Art Model as Performer.” Aesthetic Investigations 5 (1): 7–27. https://doi.org/10.58519/aesthinv.v5i1.11772.
Guerrilla Girls. Do women still have to be naked to get into the Met. Museum? Last accessed 27 December 2023. https://www.guerrillagirls.com/naked-through-the-ages.
Jütten, Timo. 2016. “Sexual Objectification.” Ethics 127 (1): 27–49. https://doi.org/10.1086/687331
Korsmeyer, Carolyn, and Peg Brand [Weiser]. 2021. “Feminist Aesthetics.” In The Stanford Encyclopedia of Philosophy, Winter 2021, edited by Edward N. Zalta. Metaphysics Research Lab, Stanford University.
Nussbaum, Martha C. 1995. “Objectification.” Philosophy and Public Affairs 24 (4): 249–291. https://doi.org/10.1111/j.1088-4963.1995.tb00032.x.
Rind, Miles. 2002. “The Concept of Disinterestedness in Eighteenth-Century British Aesthetics.” Journal of the History of Philosophy 40 (1): 67–87. https://doi.org/10.1353/hph.2002.0017.
Spaid, Sue, and Rossen Ventzislavov. 2021. ““Isn’t All Art Performed?”: Issue Introduction.” Aesthetic Investigations 5 (1): 1–6. https://doi.org/10.58519/aesthinv.v5i1.11771.
Stolnitz, Jerome. 1961. “On the Origins of "Aesthetic Disinterestedness".” Journal of Aesthetics and Art Criticism 20 (2): 131–143. https://doi.org/10.2307/427462.
Zangwill, Nick. 1991. “Unkantian Notions of Disinterest.” British Journal of Aesthetics 31 (4): 149–152. https://doi.org/10.1093/bjaesthetics/32.2.149.
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2023 Sue Spaid; Clinton Peter Verdonschot
This work is licensed under a Creative Commons Attribution 4.0 International License.
Authors who publish with this journal agree to the following terms:
Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal. Note: up to volume 4 issue 1, an incorrect copyright line appears in the PDFs of the articles.
Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).
